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Maria Schneider directs her 17-piece modern jazz orchestra in an exciting NEW series of four evenings of incomparable compositions at The Kaye Playhouse at Hunter College, including a world premier work commissioned by Hunter College to celebrate the first concert in the series.

Described by TIME Magazine as “the most important woman in jazz,” Maria Schneider has emerged as one of the finest and most versatile composers, melding imagination, logic and passion into her works.


Performance Times

  • Thursday, February 19, 2004 at 7:30 PM.  Following the performance Ms. Schneider will hold a Q&A session.
  • Thursday, March 18, 2004 at 8:00 PM
  • Thursday, April 29, 2004 at 8:00 PM.  Pre-concert talk at 6:45 PM (with Maria Schneider and Bob Brookmeyer).
  • Thursday, June 17, 2004 at 8:00 PM (presented in association with JVC Jazz Festival – NY)

For information on ordering tickets, go to the tickets page of this website.


"To call Schneider the most important woman in jazz is missing the point in two ways. She’s a major composer -- period."
Terry Teachout, Arts Critic

"…Schneider’s music is like no other in the jazz world.”
-  Los Angeles Times

"Schneider’s big band paints musical landscapes full of glowing pastel harmonies and sharp-angled rhythms. Listen to her sweepingly ambitious compositions, and hear the next wave in jazz taking shape before your very ears.”
-  TIME Magazine


Biography
Maria Schneider, born in Windom, Minnesota, was studying music by age five. She earned a Bachelor of Music degree in theory and composition at the University of Minnesota, studied at the University of Miami, and received a Masters degree from the Eastman School of Music. After moving to New York City, she received a National Endowment for the Arts grant to study composition with Bob Brookmeyer. In 1985, she became an assistant to Gil Evans.

At the 1993 Spoleto Music Festival and the 1996 JVC Jazz Festival (New York), Ms. Schneider conducted the Gil Evans Orchestra in a concert of selections by Gil Evans. In 2000 she conducted both "Porgy and Bess" and "Sketches of Spain" at Carnegie Hall featuring Jon Faddis. In 1994, she was commissioned to write music for and conduct concerts with Toots Thielemans and the Norrbotten Big Band (Sweden).

She has also conducted the Stockholm Jazz Orchestra, the Brussels Jazz Orchestra (Belgium), the Danish Radio Big Band, Ochestre National de Jazz (Paris), the Stuttgart Radio Orchestras (Germany) and many others in concerts of her music as well as for various television and radio broadcasts. In 1994, Ms. Schneider conducted the Carnegie Hall Jazz Orchestra at Carnegie Hall in the commissioned premier of "El Viento."

She was commissioned to compose "Scenes from Childhood", premiered by her own orchestra at the 1995 Monterey Jazz Festival. Ms Schneider was the recipient of a Doris Duke award to compose a dance work for the Pilobolus dance group. The project was premiered at the American Dance Festival in June of 1998. Ms. Schneider placed in several of the Downbeat and Jazztimes Critics and Readers Polls.

Ms. Schneider’s debut recording Evanescence on the Enja label, was nominated for two 1995 Grammy Awards: Best Large Jazz Ensemble Performance and Best Instrumental Composition. She was a nominee for Copenhagen’s JAZZPAR Prize in 1995.

She presently has two new recordings, Allégresse (Enja Records), and Days of Wine and Roses, a live-recording that is packaged with two bottles of "Maria Schneider" Riesling wine.

TIME magazine listed Allégresse as one of the top ten music releases of the year 2000; it was also nominated for a Grammy.

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